Morris And Co.

Morris & Co. created five ceiling papers, and this is one of them. Based on William Morris's original hand-block ceiling paper, designed in 1895, this semi-sheer fabric includes laser-cut applique which creates a divinely textural decorative finish for window treatments. A wallpaper and embroidered fabric of the same name are also available.

A combination of couching and satin stitch embroidery on cotton-linen blend fabric creates an exquisite interpretation of this original ceiling paper design for blinds and drapes, which dates back to 1895. An applique fabric and wallpaper of the same name are also available.

Geometric motifs reflect the Icelandic landscape on this woven fabric, as described in Morriss diaries as he sailed past the Orkney Islands on his expedition in 1871. The chunky jacquard fabric has a hand-woven natural effect featuring a boucle yarn and available in cool colourways.

Beauty conveyed in its tranquil colourways and complexity of design, this embroidered fabric was inspired by an archive design from 1881. Embroidered in satin stitch on a natural linen ground fabric, this is a tranquil way of introducing Morris design to the home.

Smart and contemporary, this embroidered fabric design originated as the Diaper design c.1868. The design studio removed the daisy from the original pattern and refined the scrolling leaf motifs to create an all-over grid pattern in tranquil colourways. Made using a crewel chain stitch technique on a linen and cotton ground, a beautiful satin finish creates a sheen across the fabric.

A cheeky bird pecks at delicious strawberries on this enticing cotton embroidery on a linen background. Finely detailed, two densities of stitching are used to perfectly capture the charm of this most famous of William Morris's patterns. Also available as a printed fabric and wallpaper.

A cheeky bird pecks at delicious strawberries on this enticing semi-sheer fabric. Printed in white paste to retain the look of the original hand-printed design and is also available as a wallpaper and embroidered fabric.

A beautiful interpretation of the original Morris sunflower pattern, reproduced as a jacquard woven fabric with a slub linen weft to create an elegantly relaxed fabric for blinds and drapes, in neutral, versatile colourways.

This gentle upholstery fabric has a slub weft and has been cross coloured by the Morris and Co. design studio to create a natural textured cord effect. On his journey to Iceland in July 1871 Morris stopped at Tórshavn, the Capital of the Faroe Islands, from which this weave takes its name. It is suitable for both contract upholstery and drapery.

This much-loved Morris design has been reproduced as an exquisite embroidery featuring satin stitch in the same colour yarn as the linen ground, which brings a simple sophistication to an interior and a contemporary flavour to this classic design.

This much-loved Morris design has been reproduced as a printed fabric and echoes the wallpaper design. The original pattern from 1887 has been updated and printed on heavy, mid and light-weight linen-blend cloth in three contrasting colourways. An ideal choice for all-over design that complements other larger patterns.

An elegant woven cotton-linen blend fabric, this classic pattern from 1887 has been further simplified by the Morris & Co. studio and is available soft colours with the addition of a darker Ink colourway to add drama.

An oversized, chunky chenille basket weave fabric which provides the perfect complement to Morris's statement patterns. This cotton-linen-wool blend fabric is suitable for cushions, drapes and upholstery and is available in seriously rich colourways.

Re-entering the Morris & Co. range for the first time in many years, Rose & Thistle is arranged in a graceful meandering structure with alternating rose flowerheads. Set amongst the foliage, small blooming thistles give this 1881 design an unmistakable character and wild charm. The deep indigo ground offers an almost sculptural quality to this furnishing fabric.

Morris & Co. are thrilled to re-introduce Rose & Thistle to the Morris & Co. portfolio for the Emery Walker's House collection.

Rose is a gorgeously layered design with sumptuous rearing tulip and rose heads and dramatic thorned stems. William Morris's close observation of nature's everyday dramas is evidenced here in the pair of cheerful birds that play among the thicket.

Originally designed by Morris as a furnishing fabric in 1883, Rose was widely used in the drawing room of Sir Emery Walker, the noted typographer and friend of Morris. Rose re-enters the Morris & Co. range for the first time in many years exclusively for the Emery Walker's House collection.

Inspired by a richly ornate Arts & Crafts tile design, the versatile Rosehip is translated onto durable fabric for use in indoor and outdoor spaces. Rosehip's simple, soothing pattern lends itself wonderfully to all upholstery purposes, whilst three painterly hues introduce a truly organic colour story.

Hand selected by the Morris & Co. design team Ruskin Plains provides a kaleidoscope of 30 timeless colours chosen to work exquisitely across the entire Melsetter collection. Made from 100% linen this collection of plains is ideal for upholstery and drapes. Available in 30 colourways

Gently meandering leaves and marigold flowers trail over a coloured background on a 100% cotton fabric. This design was inspired by William Morriss fascination with medieval book illustration and can be traced to a 1871 wallpaper design. This upholstery fabric comes in a range of rich colourways and a wallpaper of the same name is also available.

Celebrating the workmanship of May Morris's original design this embroidery features a mirrored trellis effect of stylised roses tulips leaves and turning stems. With its iridescent yarn raised stitching and fine blending accenting intricate detail across feathers and petals Seasons by May retains the authenticity of the May Morris design c.1895. Available in a Sea Glass and Brick colourway

Seasons by May is our interpretation of a c.1895 embroidery called ‘Spring and Summer' designed and most likely stitched by May Morris. Produced on an textured cloth our version features a mirrored trellis of parakeets stylised roses tulips leaves and turning stems accented with intricate detail across the feathers and petals. Available in three colourways: Linen Indigo and Saffron

A dual-purpose fabric produced on a soft cotton/linen blend, Severne was originally designed by J.H. Dearle in 1880 and printed at Morriss Merton Abbey workshop in South London. An elegant damask of acanthus leaves framing a central flowerhead, this is a new design for the Simply Morris collection.

Reportedly one of Morris's favourite designs and originally produced in 1876, this Indian-inspired fabric features clusters of snakeshead fritillaries and is an ideal design to team with larger scale Morris designs. Also available as a wallpaper of the same name, the rich colourways of this fabric have been printed on linen union.

Printed for the first time on a sumptuous velvet Snakeshead was originally designed by William Morris in 1876. The dramatic flame like motif and alternating spiky clusters of foliage seem held in suspension by the delicate scrolling tendrils that form the pattern's background.

A pretty and subtle all-over leaf design, Standen is lifted from the background of our Lily wallpaper. Produced on a lovely cotton/linen blend, this fabric complements the entire Morris & Co. range.

A cheeky bird pecks at delicious strawberries on this enticing 100% cotton fabric, suitable for upholstery and curtains. Reproduced with subtle textures to retain the look of the original hand-printed version, the design is also available as a wallpaper.

Dating back to 1883, Strawberry Thief is one of Morris & Co.'s most iconic designs. This velvet interpretation retains the same enchanting detail of the original which was said to be inspired by the thrushes Morris found stealing fruit from his kitchen garden.

Originally imagined as a wallpaper available for the low price of 4 shillings and sixpence in 1879, Sunflower is here translated onto sumptuous velvet fabric. In no less than 7 colour choices, Sunflower's radiant pattern of flowerheads and flowing vine forms offer an irresistible decorating story for the home. Perfect for use in upholstery and drapery.

This striking pattern was first designed by William Morris in 1879 and displays a stylised sunflower on a sumptuous velvet ground. An elegantly relaxed semi-plain design across three dramatic colourways, Sunflower Velvet is suitable for drapes and upholstery. The captivating Saffron/Vellum colourway is new to this collection and provides an alternative take on a Morris classic.

Tangley a cotton chintz dating back to 1837 was produced by Bannister Hall on behalf of William Morris in 1868 and furnished Queen Victorias private rooms at Windsor Castle. Soon after Morris was printing his own designs but Tangley would still have been used mixed with Morris patterns in interiors and could still be used in this way today. Now printed on linen Tangley appears to capture the block printed texture of the original and depicts a beautiful flowering peony tree.

Introducing a brand-new design from Morris & Co. Delivered to the Birmingham Society of Arts on February 19th, 1880, The Beauty of Life is the lecture title of William Morris's passionate appeal to “face the latest danger which civilisation is threatened with.” This rallying cry is forever immortalised on a sumptuous indigo fabric, ornamented with quintessentially Morris motifs; scrolling foliage, beautiful script and playful wildlife. The struggle, to William Morris, was the threat of industrialised capitalism to deprive the “whole race of all the beauty of life.”

The Beauty of Life is introduced to the Morris & Co. range for the Emery Walker's House collection. The lettering is inspired by William Morris's own book-printing press, The Kelmscott Press, a feat he managed with the unwavering support and guidance of expert typographer, Sir Emery Walker.

For Morris, tapestry was the highest form of decorative art. Inspired in part by J. H. Dearles The Brook Tapestry and the friezes that sit beneath the Holy Grail Tapestries, this digitally printed fabric design recreates the crispness and beautiful detail of medieval tapestries. One colourway is printed on cotton velvet and two on textured cloth reminiscent of original tapestry surfaces. Also available as a wide-width wallpaper.

For Morris, tapestry was the highest form of decorative art. Inspired in part by J. H. Dearles The Brook Tapestry and the friezes that sit beneath the Holy Grail Tapestries, this digitally printed fabric design recreates the crispness and beautiful detail of medieval tapestries. One colourway is printed on cotton velvet and two on textured cloth reminiscent of original tapestry surfaces. Also available as a wide-width wallpaper.

With scrolling leaves and stylised flowerheads Theodosia recreates the look of the highly regarded embroidered bed hangings at Kelmscott Manor the Morris family's Cotswolds home. Named for Theodosia Middlemore embroider of the Melsetter hangings this embroidery presents stunning techniques and depth of stitching in keeping with the original. Available in two colourways: Bottle Green and Wine/Indigo

Adapted from a pattern of scrolling leaves and stylised flowerheads a feature of Kelmscott Manor's embroidered bed hangings this hand painted Jacobean-style trail with its watercolour appearance is printed on a chunky 100% linen cloth. Available in three colourways: Red Saffron and Grey

Originally designed as a wallpaper in 1896 this Morris & Co. weave displays a distinctive thistle motif. Reinterpreted as a woven jacquard quality Thistle Weave's subtle light reflecting yarns give a delicate shimmer to the ground contrasting against the thistle design. Available in five colourways: Linen Flint Bronze Mineral and Slate

Trent, which began life in 1888 with the grand accolade of being Morris & Co.'s most expensive printed textile, is a rich, vibrant floral display. This luscious pattern features curving tulips and meandering acanthus leaves amongst other stalwarts of English gardens. Trent seamlessly imagines two of William Morris's guiding design principles; ensnare the eye with sprawling repeats and beguile with masterfully rendered motifs.

This densely floriated, 100% cotton fabric design incorporates a repeating zigzag of wavy leaves and was drawn in 1875. Todays printing techniques are able to capture the fine textures of the original block printed design and is produced in earthy colourways suitable for upholstery and drapes.

Designed by William Morris in 1874, Vine depicts bunches of grapes and scrolling branches placed on a background of foliage. With a slight heritage feel, pops of colour contrast against the Dark Olive ground to create this contemporary interpretation which looks stunning on furniture.

First produced in 1884, this opulent linen upholstery fabric features a striped meandering diagonal branch from which flowers emanate. The original would have needed 32 blocks to print it. Todays 100% linen version is available in a stunning array of colourways with a beautiful drape quality and available as a wallpaper too.

Inspired by a beautifully embroidered archive document of Indian style flowerheads crafted by Elizabeth Wardle an accomplished Arts and Crafts embroider. Blended stitches add authenticity to this mid-scale design. Available in two colourways: Bayleaf/Manilla and Olive/Brick

A staple plain of undeniable quality and versatility, the Wardle Velvet instils confidence in any upholstery and drapery project. Available in a range of 12 colour possibilities, our Wardle Velvets present endless decorating stories as a coordinate fabric or leading textile. Each colourway is made to coordinate with the namesake hue in our Morris & Co. Paint range. Perfect for use in upholstery and drapery.

This distinctive Ottoman design is taken from the mantelpiece hanging in the Drawing Room at Wightwick Manor, Wolverhampton. Dating back to 1893, it would most probably have been embroidered by the lady of the house, Flora Mander. It was designed to work with the Morris & Co. ‘Dove and Rose' wallpaper featured on the walls and is a unique motif within the house. This new reproduction is very close to the original and is available in three colourways suitable for curtains and general domestic upholstery.

Created by combining elements from two William Morris designed embroideries Wilhelmina's scrolling acanthus leaves honeysuckle and foliage meld to create this all-over decorative design printed on a cotton linen mix. Available in three colourways: Ivory Teal and Moss

Inspired by two authentic Morris & Co. embroideries dated 1870 and c.1880 Wilhelmina is a pretty design of trailing honeysuckle clematis and acanthus leaves in an unusual repeat. With a lovely movement and decorative striped borders the motif's finely drawn botanical detail is stitched using a lustrous yarn to give a silky effect. Available in three colourways: Indigo Brick and Linen

A true icon from William Morris, Willow Boughs is his 1887 design. Deceptively simple and created using the ingenious layering technique pioneered by Morris, Willow Boughs combines his love of the willow with his mastery over pattern and repeat. Available in four organic colourways to introduce a truly harmonious colour story to indoor or outdoor spaces of the home.

Entwining stems and delicate willow leaves combine in this timeless woven fabric design which defines Morris abiding reputation. This much-loved Morris design from 1887 has been reproduced as a jacquard weave in colourways that coordinate across the collections and is suitable for blinds, cushions, drapes and upholstery.

With a luxuriously deep-cut pile, Willow Boughs from 1887 is newly interpreted as a delightful velvet. Featuring the elegantly entwined willow stems that so enchanted William Morris, an irresistible shimmer can be glimpsed across the three organic colour stories. Perfect for use in upholstery and drapery.

Entwining stems and delicate willow leaves combine in this enduring fabric design which defines Morris abiding reputation. This much-loved Morris design has been reproduced as a printed fabric and echoes the wallpaper design. The original pattern from 1887 has been updated and printed on cotton and linen-blend fabrics in harmonious colourways for use as blinds, cushions drapes and upholstery.

We love this amazing interpretation of our Willow Bough fabric, originally designed by William Morris in 1887. Coloured by Ben Pentreath, richly saturated combinations introduce a new perspective to the patterns timeless entwining stems and delicate willow leaves. Produced on a cotton/linen blend, this design looks fantastic on furniture. Choose from the warm, inviting red of Tomato, the fresh country style of Sky, or Bens statement Olive/Turquoise colourway.

Willow Boughs designed in 1887 is one of William Morris instantly recognisable patterns. Entwining stems and delicate willow leaves combine in this enduring design which defines Morris abiding reputation.

Woodford Plaid is the largest design woven on a multi-coloured warp with a different striped pattern in the weft. This style of plaid is known as a Madras Check and creates a contemporary and less formal look than traditional tartans. This plaid is available in nine colourways from indigo to earthy tones of terracotta olive and lavender.

This design was inspired by Morris' numerous embroidered tree designs. It is hand-knotted onto a linen ground to create a fabric with an organic feel. This lovely linen/cotton mix quality is available in four colourways and can be easily teamed with many designs in the collections.

Depicting ‘millefluers' or many different small flowers and plants, Woodland Weeds is one of Ben's favourite designs. Often shown on a green ground, as though growing in grass, the pattern is attributed to John Henry Dearle. First printed in 1905, this archive document is unusually symmetrical and perpendicular for a Morris & Co. design.