Morris And Co.

Named after the town near Melsetter House this weave's blend of natural marled yarns creates a rustic linen look. Soft to the touch and with a multitude of tonal variation this excellent coordinator brings a cosy welcoming feel. Available in five colourways: Linen Slate Flint Ochre and Mineral

First produced in 1868-70 as a wallpaper Indian was based on the indienne prints of the 18th century. Originally drawn by George Gilbert Scott and adapted by Morris Indian now comes in three dramatic colourways on printed linen union and is also available in wallpaper.

The Morris & Co. studio is delighted to present Indian, seen here for the first time not only as a decadent velvet, but also as a textural flock.

Grand, oversized medallion emblems sit proudly upon a luxurious linen-mix fabric, originally inspired by the beautiful ‘suzani' embroidery found at Standen House in Sussex. Now available in striking colourways, including a softer neutral, and suitable for blinds, cushions and drapes.

Kelmscott Tree is a new design by Alison Gee. Inspired by Morris bed curtains at his home Kelmscott Manor which were embroidered by May Morris in 1891 Kelmscott Tree has been painted in the Morris studio and adapted into a beautiful embroidery of trees birds and flowers. It is also available as a print.

A printed fabric interpretation of the lavishly embroidered bed curtains from Morriss home, Kelmscott Manor. The trellis background on the original fabric has been removed and the design repainted creating a wonderful arrangement of trees birds and flowers. This intricate design is produced in a cotton-linen blend cloth suitable for upholstery and is also available as an embroidery on silk and linen.

Kelmscott Tree is a new design by Alison Gee. Inspired by Morris bed curtains at his home Kelmscott Manor which were embroidered by May Morris in 1891 Kelmscott Tree has been painted in the Morris studio and adapted into a beautiful embroidery of trees birds and flowers.

Curvaceous flowers and leaves trail upwards on this fabric design and are placed on a bed of smaller entwined flora and fauna. Originally produced at Merton Abbey using the indigo discharge method, this design on a cotton-linen blend fabric in rich colourways for upholstery and curtains.

The curvaceous flowers and trailing leaves placed on a bed of smaller entwined flora and fauna showcase the inky movement of this cosy, comforting 1883 design. Team the Aqua/Pink colourway with our Sunflower wallpaper for a painterly, heritage look or make a statement with the green tones and inky blue stems of Olive/Turquoise.

Inspired by the lemons in ‘Fruit' one of William Morris's most loved wallpapers Lemon Tree's finely embroidered lemons share an exquisite level of detail. Trailing branches and delicate blossom create this fresh and calming design which displays a lovely drape. Available in a Bayleaf/Lemon colourway

Inspired by the lemons in ‘Fruit', one of William Morris's most loved wallpapers, Lemon Tree is finely embroidered on an exquisite cotton linen fabric. Trailing branches and delicate blossom create this fresh and calming design, which is suitable for drapes and upholstery.

Named after William Richard Lethaby an important Arts and Crafts architect this hardwearing weave's structure shares a handstitched irregular feel and repeating geometric pattern. Available in five colourways: Indigo Mineral Ochre Seaglass and Bayleaf

Lily Leaf is a small scale all-over leaf fabric print which has been taken from the background of the wallpaper Lily designed by Morris in 1874. Charming and extremely usable this light weight cotton print comes in nine colours and is also available in a wallpaper.

Pomegranates and Indian-inspired motifs cover this small-scale fabric design. Available in versatile colourways, this design is a good way to introduce Morris design into smaller rooms on upholstery and curtains and is printed on a linen-mix cloth in jewel-like colourways.

Quintessentially Morris, scrolling flowers and foliage cover this 100% cotton upholstery fabric design from 1883. Originally discharge printed at Merton Abbey, great care has been taken to maintain the marks, textures and colours of the hand block-printed fabric. It is printed in two original colourways along with three modern options and suitable for blinds, cushions, drapes and upholstery.

Produced in 1879, Kate Faulkner's small-scale all-over design of elegant hibiscus (mallow) flowers reflects the natural habit of this low growing far reaching annual plant. Hugely versatile, use alongside Mallow wallpaper or together with other Morris & Co. designs.

This design from 1875 is hugely versatile, working with ease in any part of the home – it also looks beautiful on cushions, blinds or chairs. Crisscrossing an entire spectrum of colour, choose from the nostalgic versatility of Olive/Pink, the retro vibes of Orange/Pink, the contrasting vibrant pops of Turquoise/Navy and the striking embossed look of Navy/Orange.

We love this amazing interpretation of our Willow Bough fabric, originally designed by William Morris in 1887. Coloured by Ben Pentreath, rich, saturated combinations introduce a new perspective to the pattern's timeless entwining stems and delicate willow leaves. Produced on a cotton/linen blend, this design looks fantastic on furniture.

A tranquil monotone design designed by Morris in 1875 and one of the few designs Morris produced for both wallpaper and fabric. Available in both pale and dark colourways to suit rooms with different light.

Originally imagined as a furnishing fabric, Marigold is an 1875 William Morris design filled with charm and energy. Marigold's complex pattern, swirling movement and five available colourways make it perfect for all upholstery uses in any part of the home, inside or out.

Mary Isobel is a beautifully ornate design created by John Henry Dearle and originally sold as an embroidery kit by Morris & Co. circa 1890. Named after the lady who embroidered it Mary Isobel comes richly embroidered on linen and on 100% silk and is also available in a printed fabric in the Morris V Collection.

Adapted from an embroidery designed by J.H. Dearle this colourful design depicts a large fruiting tree with tulips and acanthus leaves. It has been interpreted as a print with delicate line work to imitate stitches and is printed in four colours on linen.

In the bedroom of Emery Walker's House lies a most incredible object, now interpreted by the Morris & Co. design studio; a crewel embroidered coverlet. Created by May Morris, daughter of William Morris, for Emery's wife, Mary, during the last bedridden years of her life, it exemplifies May's astonishing needlework abilities. It also stands as a beautiful tribute to the friendship enjoyed between the Morris and Walker women, and the creativity that love inspired. A treasured item, the coverlet was used as the pall on the coffin of many members of the Walker household.

May's Coverlet is made using hand-guided embroidery on a 100% linen base cloth to carefully replicate the fine stitching pattern by May Morris.

This beautifully printed design of birds and flowerheads trailing a central fruit tree was inspired by a version of the Kelmscott Manor bed hangings crafted for Melsetter House in Scotland. Now translated into a print this new design by Morris & Co. has been painted to create a fresco effect that represents the colourways of the Orkney landscape. Available in three colourways: Indigo Linen and Grey

Ben first fell in love with Merton after noticing it on a friend's parents' sofa more than 20 years ago. Designed by John Henry Dearle in 1905, it features an ogival repeat of stylised pomegranates and tulips, surrounded by delicate flowers, apples and scrolling acanthus leaves.

Layered stitching creates an almost three-dimensional leaf effect in this charming embroidery that celebrates the curling mistletoe sprigs featured in an original embroidery stitched by Mary Newill and the students at the Birmingham School of Art (c.1905-6). Available in three colourways: Artichoke Saffron and May Blue

Based on a carpet designed by John Henry Dearle in the 1890s, this sumptuous linen-blend fabric depicts Persian, overblown flowers climbing in a trailing pattern with softened edges and available in distinct colourways. Use on upholstery to give a room an eclectic look and rich palette

Based on a carpet designed by John Henry Dearle in the 1890s, this sumptuous velvet fabric depicts Persian, overblown flowers climbing in a trailing pattern with softened edges and available in distinct colourways. Use on upholstery to give a room an eclectic look and rich palette.

A woven interpretation of William Morris's Acorn wallpaper this characterful weave is the embodiment of an English hedgerow. Ideal for upholstery and drapes the textural fabric brings a naturalistic design and beautifully soft handle. Available in five colourways: Ochre Mineral Chalk Moss and Bayleaf

Originally a best-selling carpet design, this fabric has a specially designed border, which has been incorporated into this contemporary design. The small-scale interlocking floral motif makes it an extremely versatile print which can be used on upholstery and curtains. A wallpaper of the same name is also available.

A free-flowing fabric pattern, capturing the underwater movement of plants and inspired by the sinuous curves of Art Nouveau. This authentic reproduction from a document in the Morris & Co. archive, designed by J. H. Dearle in 1901, is printed on 100% cotton in jewel-like colourways for curtains and upholstery, and also available as a wallpaper.

Retaining the charm of the original embroidered bed cover and created collaboratively by a group of talented needlewomen Newill's sprigs are characteristic of the type of flower groups found in 17th century embroidery. Dense stitching shows differentiation between the motifs whilst remaining true to the exquisite techniques of the day. Available in two colourways: Antique/Carmine and Wine/Saffron

The distinctive owl in this cheerful print of scrolling leaves and berries was inspired by an embroidered bedcover stitched by Mary Newill an associate of May Morris at the Birmingham School of Art. Printed with a slight textural feel reminiscent of a ‘worn' block print Newill brings an Englishness to country homes. Available in four colourways: Lemon Teal Chintz and Grey/Blue

Inspired by Acorn a famous wallpaper design taken from our archive Morris Oak has been reinterpreted as a simple mid-scale print with an all-over leaf design. An excellent co-ordinator this print is ideal for drapes and upholstery. Available in two colourways: Forest/Cream and Teal/Slate

Inspired by Morris & Co.s medieval tapestries, this exquisite fabric design features delicate printed trees and foliage carefully placed on plain linen-mix cloth, with a tapestry quality to the printed surface. Suitable for upholstery, blinds, cushions and drapes.

Originally an 1877 William Morris wallpaper design, Chrysanthemum is translated onto a durable indoor-outdoor fabric for the first time. Combining beauty with practicality, this incredibly ornate design is available in three distinct colour stories.

The sweet scent of honeysuckle must be one of nature's greatest ‘simple' pleasures. Immortalised by May Morris, William Morris's daughter, in this 1883 design, Honeysuckle is a flowing, complex pattern that mimics the plant's tendency to climb and bind.

Mighty oaks from little acorns grow. This contemporary pattern is inspired by William Morris's abiding fascination and love for nature. Embedded into his and many others' conception of Englishness, the oak tree is a symbol of deep meaning.

Curling stems circling wind-swept flowerheads create a symmetrical fabric design originally created by Morris for wallpaper in 1876. Typical of Morriss greatest designs, and hung in his own dining room at Kelmscott House, this glorious printed linen-blend fabric is available in beguiling colourways and as a wallpaper of the same name.

Pimpernel is an unusual figure of eight design inspired by the 1876 wallpaper of the same name. Featuring tulip leaves and flowers in a graphic modern style, this iconic Morris & Co. design is produced on a fine cotton linen blend.

Curvaceous and entwined, this floral trailing fabric was designed by William Morris in 1890 and originally a large-scale block-printed wallpaper. This stylised design has now been re-drawn and adapted as a furnishing fabric that recreates the subtle effects of the transparent inks used to print the original. It is also available as a wallpaper.

Quick, hand-painted floral motifs, modified by Morris c. 1895 from a wallpaper to a tile design, appealed to Morris as they retained a feeling of cottage gardens. This new fabric version replicates the simplicity and freshness of the original and is printed on cotton-linen blend upholstery fabric.

One of Morris's most iconic patterns, this was the very first wallpaper design released by Morris & Co. now repainted for this woven fabric version of the design. With complex layering and vigorous curves, the scrolling acanthus foliage produces a three-dimensional effect, and the spun viscose creates a print like mark.

A beautiful, monotone fabric featuring a pared back representation of acorn branches, originally designed 1879. The art work was created using the original wooden Morris & Co. hand printing blocks and is now printed in wintery colourways to produce a cool look. Also available as a wallpaper of the same name.

Carefully reworked from the original Kathleen Kersey design from 1913, this embroidered fabric features stems created in shimmering viscose yarns, leaves in a matt cotton finish and berries highlighted with a subtle twisted metallic embroidery. Both classic and contemporary, this fabric has a timeless quality.

Dramatic swirling leaves coil around on this monochrome fabric, originally created in 1892 and painted it in the style of medieval frescos with dramatic effect creating a show stopping, cotton-linen blend embroidery. Using a single colour twisted wool mix yarn, this embroidery has a range of subtle stitches to give the design added movement and a sophisticated feel.

Dramatic swirling leaves coil around on this monochrome fabric. The Morris & Co. studio enlarged the original 1892 design and painted it in the style of medieval frescos with dramatic effect creating a show stopping, full-width fabric. Also available as a wallpaper and woven cloth.

Using a space-dyed weft to give the fabric a look of natural movement, this gentle design was named after a river in Iceland that Morris encountered on his expedition to this inspiring country in 1871. A cotton-linen blend fabric, it is both soft and durable and suitable for both contract upholstery and drapery.

An exciting mix of dye and embroidery techniques reinvigorate the original fabric design from 1879, suitable for blinds, cushions and drapes. The embroidery has been crafted using a variety of yarns: stems are produced in a smart viscose yarn, with cotton flowers and berries in a twisted metallic yarn.

This charming Morris design from 1882 has been printed on a beautiful heavy-weight 100% linen fabric with natural flax tones and a subtle texture running throughout. Also available as a wallpaper and woven fabric.

This charming Morris fabric design from 1882 has been woven with a linen warp and combined with a viscose weft to create a slight sheen. Ideal for creating rooms with a calm atmosphere, teamed with natural wood and other subtle patterns. Also available as a wallpaper and printed upholstery fabric.

Originally designed as a wallpaper to adorn ceilings in 1877, this intricately embroidered pattern stands proud against the transparent background of the fabric and has the air of a contemporary lace. A delicate choice for nostalgic bedrooms or as a window treatment for light filled rooms.

A geometric fabric design with a folksy feel, taking its name from fotabands, which refers to a decorative tie used for securing skirts below the knee when riding side saddle. William Morris brought back his own collection from his expedition to Iceland in 1871 and this design is available in muted, Nordic-inspired colourways and suitable for blinds, drapes and upholstery.

The tactile fabric is woven with a soft chenille weft and was inspired by an expedition Morris took to Iceland in 1871 and in particular Hawkdale Valley - home of hot springs and cobalt skies. It is available in gentle colourways and suitable for upholstery and curtains.

This dramatic herringbone weave fabric includes an ombré vertical stripe and was inspired by Morriss Nordic adventure in 1871. Produced as a wool-blend cloth, the design is available in misty colourways and suitable for blinds, drapes and upholstery.

Elegant in design and colour, this fabric features tulips appliqued in velvet and was inspired by Morriss watercolour paintings of Honeysuckle from 1876. The Morris & Co. studio created this new artwork with fine ink, pencil and watercolour. This design is also available as a fabric and wallpaper of the same name.

Elegant in design and colour, this linen-blend fabric was inspired by Morriss watercolour paintings of Honeysuckle from 1876. The Morris & Co. studio created this new artwork with fine ink, pencil and watercolour. Suitable for upholstery, this design is also available as a wallpaper and embroidery of the same name.

Using a space-dyed weft to give the fabric a look of natural movement, this gentle design was named after a river in Iceland that Morris encountered on his expedition to this inspiring country in 1871. A cotton-linen blend fabric, it is both soft and durable and suitable for both contract upholstery and drapery.

A tranquil monotone print designed by Morris in 1875 and one of the few designs Morris produced for both wallpaper and fabric. This versatile fabric is printed on upholstery-weight linen and an additional colourway printed on a lightweight linen with a subtle pearl effect adding a luxurious sheen. The design is also available as a printed fabric and wallpaper.

A tranquil monotone print designed by Morris in 1875 and one of the few designs Morris produced for both wallpaper and fabric. This versatile woven fabric is produced using a unique hand-guided cording technique on a cotton and linen ground. This design is also available as a wallpaper and printed fabric.