Morris And Co Wallpaper

The classic Willow Boughs designed in 1887 characterises Morris pre-eminent flair for design and composition with sinuous lines and subtle tone.

One of the most recognisable of all Morris designs, this all-over wallpaper was designed in 1874 and predates the more intricate Willow Boughs by 13 years. Available in an array of colours, it coordinates beautifully across all the collections.

Depicting ‘millefluers’ or many different small flowers and plants, Woodland Weeds is one of Ben’s favourite designs. Often shown on a green ground, as though growing in grass, the pattern is attributed to John Henry Dearle. First printed in 1905, this archive document is unusually symmetrical and perpendicular for a Morris & Co. design.

One of the most recognisable of all Morris designs this simple all-over wallpaper was first produced in 1874 and predates the more intricate Willow Bough by 13 years. Chosen by Ben Pentreath for its smaller scale and recoloured to match his creative vision the neutral sunshine yellow of this soft interpretation introduces a more contemporary feel.

With its reduced scale Willow Bough Minor provides a good option as a wallcovering suitable for smaller spaces whilst retaining the character of the original version.

A wonderfully vibrant interpretation of the classic Willow Bough wallpaper designed in 1887 and characterising Morriss pre-eminent flair for design and composition. Choose from an incredible palette of new colour combinations including the inviting warmth of Tomato/Olive reaching to the striking 1970s inspired Olive/Turquoise.

Created with elements from two embroideries designed by William Morris c.1880 Wilhelmina is a large tiled repeat of scrolling acanthus leaves and bellflowers surrounded by a decorative border. With its beautiful tonal appearance this largescale wallpaper design is available in a lovely Indigo colourway.

This wonderful interpretation of the classic Willow Bough wallpaper from 1887 characterises Morris’s pre-eminent flair for design and composition. Coloured using a fresh palette of springtime greens and golden yellows, entwining stems and delicate willow leaves combine in this enduring design.

Introducing a brand-new design from Morris & Co. Delivered to the Birmingham Society of Arts on February 19th 1880, The Beauty of Life is the lecture title of William Morris’s passionate appeal against the ill effects of industrialised capitalism. This rallying cry is forever immortalised on a high-drama wallpaper, ornamented with quintessentially Morris motifs; scrolling foliage, chattering birds and beautiful script inspired by his own Kelmscott Press.

The Beauty of Life is introduced to the Morris & Co. range for the Emery Walker’s House collection. The lettering is inspired by William Morris’s own book-printing press, The Kelmscott Press, a feat he realised with the unwavering support and guidance of expert typographer, Sir Emery Walker.

Capturing the joys of spring, Trellis is seen here for the first time in all its newly recoloured glory. A night and day contrast to its darker original, this Philip Webb design from 1862 is like an ode to a dawn chorus and the promise of a sunlit morning.

Trent is an impactful floral design, created with oversized flowerhead motifs set against rich grounds of teal or deeper blues. Translated for the first time on to wallpaper, Trent began life in 1888 with the grand accolade of being Morris & Co.’s most expensive printed textile.

Trent returns to Morris & Co.’s collection for the first time in many years in the Emery Walker’s House collection.

Morris & Co. are thrilled to re-introduce Wallflower, an 1890 wallpaper design created by William Morris. Scrolling acanthus leaves foreground tenderly rendered wallflowers, creating a pattern of enormous energy and vitality. Dark spots offer the paper a layer of texture whilst the whitened foliage introduces an almost sculptural quality.

Wallflower is inspired by the wallpaper hung in the drawing room of esteemed typographer, book printer and friend of William Morris, Sir Emery Walker. Wallflower returns to the Morris & Co. range after many years as a result of the collaboration collection between Morris & Co. and Emery Walker’s House.

A pretty and subtle all-over leaf design lifted from the background of Lily wallpaper. Standen comes in a wide range of easily co-ordinating colours to complement all the Morris & Co. collections.

A cheeky bird pecks at delicious strawberries on this enticing flock-effect wallpaper. Reproduced with subtle textures to retain the look of the original hand-printed design and also available as a printed fabric and embroidery.

Reimagined and recoloured this striking pattern was originally designed by William Morris in 1879. Go boldly with our statement Red or choose Chocolate for a Queen Square interpretation of something a little more minimal.

This multi-directional paper was originally designed by William Morris as part of a commission for the redecoration of the Grand Staircase in St James’s Palace, London in 1881. This surface printed wallpaper retains a beautiful opaque chalky finish.

Slightly larger in scale than its fabric counterpart, Severne was originally printed at Morriss Merton Abbey workshop in South London. An elegant damask of acanthus leaves framing a central flowerhead, this is a new design for the Simply Morris collection.

A cheeky bird pecks at delicious strawberries on this iconic Morris & Co. design, repainted and engraved here for the first time to enable surface printing. Our new interpretation of Strawberry Thief displays an authentic hand-block printed look.

As its title suggests this wallpaper is inspired by a set of embroidered panels depicting the seasons in stitch-work designed and probably also embroidered by May Morris c.1895-1900. Now reinterpreted as a wallpaper Seasons by May features parakeets stylised roses tulips turning stems leaves and flowers amongst a mirrored trellis. Available in three colourways: A neutral Linen smart Indigo and striking Saffron which has a metallic ground.

Reportedly one of Morriss favourite designs and originally produced in 1876, this wallpaper features clusters of snakeshead fritillaries and is an ideal wallpaper to team with larger scale Morris fabrics. Available in a wide range of earthy colourways, this design is also available as a fabric of the same name.

Taken from a tile design, this wallpaper interpretation of the pattern creates a robust interlocking design. The motifs were hand cut and hand printed from lino, giving an authentic, block printed look. Available in simplistic colourways, the wallpaper is complemented by a fabric of the same name.

Rambling Rose depicts that iconic stalwart of forest walks and cottage gardens alike, the English rose. Climbing, twisting and turning, this thorned rose’s beguiling labyrinthine structure betrays the rose’s symbolisation of earthy love and purity. A rarer feature in his wallpapers, the rose was a motif William Morris repeatedly turned to in tapestry as well as in poetry.

Rose (here called Rambling Rose), from 1877, returns to the Morris & Co. range for the first time in many years in the Emery Walker’s House collection.

Redrawn and refined from the original Indian Diaper block print wallpaper of 1875, this wallpaper design features a trellis pattern with a slightly worn and irregular textural effect reminiscent of the irregularities found in block printing. Produced in confident colourways, this design is the perfect pattern for smart reading rooms and hallways.

This much-loved Morris wallpaper design has been simplified and re-painted using three colours, which brings a gentle sophistication to an interior and a contemporary flavour to this classic design.

A cheeky bird pecks at delicious strawberries on this enticing beaded flock-effect wallpaper. Reproduced with subtle textures to retain the look of the original hand-printed design and also available as a printed fabric and embroidery.

Over-sized, simplified thistle heads framed by scrolling leaves adorn this all-over wallpaper, echoing the neo-Gothic influence of early Morris & Co. Produced in cool colourways and a contemporary Black Ink version, this wallpaper is a modern take on a classic design. Also available as a beaded wallpaper.

Over-sized, simplified thistle heads framed by scrolling leaves adorn this all-over beaded wallpaper, echoing the neo-Gothic influence of early Morris & Co. This beaded wallpaper is a modern take on a classic design and also available as a non-beaded wallpaper

This all-over design is a striking single-colour wallpaper with overlapping, abundant sunflowers, grapes and foliage. Created from the original Morris & Co. block in 1879, it has been printed on a linear paper and then enlarged to create a contemporary feel.

The swirling rhythms and complex structure of this wallpaper made it the choice for Morris himself when decorating his dining room at Kelmscott House. Designed in 1876, this painterly wallpaper is available in robust, feminine colourways.

Morris & Co. created five ceiling papers, and this is one of them. Originally designed in 1895, this wallpaper depicts cornice work and forms a bold, graphic design in grid-like formation. This pattern has been machine printed for the first time and is available in mostly light colourways with a dramatic black and gold colourway for contemporary homes.

Smart and contemporary, this wallpaper design originated as the Diaper design c.1868. The design studio removed the daisy from the original pattern and refined the scrolling leaf motifs to create an all-over grid pattern in tranquil colourways. Also available as an embroidered fabric.

Beauty conveyed in its tranquil colourways and complexity of design, this wallpaper is one of the most popular handprinted Morris & Co. wallpapers, designed in 1881. Created using the original blocks, this wallpaper is a gentle way of introducing a Morris design into the home.

Elegant in design and colour, this gravure printed wallpaper has been produced using mica and metallic effects and was inspired by Morriss watercolour paintings of Honeysuckle from 1876. The Morris & Co. studio created this new artwork with fine ink, pencil and watercolour. This design is also available as a printed fabric and embroidery of the same name.

A contemporary, large-scale wallpaper design simplified from the original Morris & Co. fabric, designed in 1884. An arrangement of symmetrical stems, flowers and leaves are reproduced in both quiet colourways and contemporary versions, with the artwork screen printed with hand-mixed inks and colours.

This is a tranquil monotone wallpaper print designed by Morris in 1875 and one of the few designs Morris produced for both wallpaper and fabric. Available in both pale and dark colourways to suit rooms with different light and features a three-dimensional relief to the ink using grit particles and background dots printed in metallic ink.

One of the earliest and most well-loved of William Morris’s designs, this wallpaper has been carefully reworked from the 1864 original for the modern home. The beautiful opaque and chalky quality of the inks enhance the character of the original document and is available in pale colourways, with a dramatic Black Ink option.

An accurate interpretation of a woven fabric from 1897, this design has been produced for the first time as a gravure printed wallpaper, where the highlight colours would have been produced by the weft yarn to create a gentle ombré effect. Team any of the neutral colourways with stone, wood and granite finishes.

A beautiful, monotone wallpaper featuring a pared back representation of acorn branches, originally designed 1879. The art work was created using the original wooden Morris & Co. hand printing blocks and is now printed in wintery colourways.

Dramatic swirling leaves coil around on this monochrome wallpaper design. The Morris & Co. studio enlarged the original, created in 1892, and painted it in the style of medieval frescos with dramatic effect creating a show stopping, 140cm width wallpaper. Also available as a printed fabric and woven cloth.

This charming wallpaper from 1882 has been reproduced to allow the application of special printing techniques, including grit and mica, giving relief and texture to this two-colour wallpaper design. A fabric of the same name is also available.

Owen Jones was a Victorian architect designer and renowned commentator on decorative ornament. His book The Grammar of Ornament published in 1856 was a stunningly illustrated catalogue encompassing every decorative style and influence from around the world. Owen Jones wallpaper depicting a simple fleur de lys a quintessential Jones motif first appeared in the Morris & Co. Volume III collection. This universally recognised geometric trellis design is available in both rich and neutral colourways and provides a wonderful backdrop to the Morris prints and weaves.

This design is printed in 3 sections on 1 roll that can then be cut & joined, together to make a full scene. Each roll comprising of 3 x 300cm panels (A,B,C) with spacing between each panel for cutting/trimming. The 3 panels make a total scene width of 205.5cm when hung.

Intertwining roses and meandering flowering carnations meander over this wallpaper creating a vertical pattern repeat. Originally conceived in 1890 by Morris, it was hand-printed using two sets of wood blocks and this reinterpretation is available in delicate floral colourways to bring the garden inside.

A gentle way to introduce Morris & Co. into the home this beautiful wallpaper was created using original blocks rising to become one of our most popular designs. First printed in 1881 Poppy has been recoloured in a rich majestic Claret and a lighter more delicate Chocolate.

The distinctive owl in this cheerful Morris & Co. wallpaper of scrolling leaves and berries was inspired by an embroidered bedcover from 1905. Along with its complementary embroidery and print of the same name Newill evokes the pleasures of a countryside walk. Available in three colourways: Ivory/Sage Peppermint/Russet and Indigo/Saffron

This attractive and whimsical Morris & Co. wallpaper is inspired by the characters on a quilt embroidered by May Morris in c.1889. Finely drawn interpretation of animals juxtapose in a fantastical way bringing a characterful charm to all creatures great and small. Antique Gold is produced on a metallic ground which together with Moss Gold displays a fine gold line. Available in six colourways: Cornflower/Chalk Linen/Chalk Chalk/Charcoal Antique Gold Moss/Gold and Sage/Grey

A free-flowing wallpaper pattern, capturing the underwater movement of plants and inspired by the sinuous curves of Art Nouveau. This authentic reproduction from a document from the Morris & Co. archive, designed by J. H. Dearle in 1901, is printed in jewel-like colourways, and also available as a fabric.

Originally a best-selling carpet design, this wallpaper has a specially designed border, which has been incorporated into this contemporary wallpaper. The small-scale interlocking floral motif makes it an extremely versatile print which can be used on all four walls. A fabric of the same name is also available.

Marigold is one of Ben’s favourite designs, loved for its simplicity and skilful repeat. Originally produced in 1875, the design is hugely versatile, working with ease in any part of the home. One of the few patterns Morris produced for both fabric and wallpaper, its simple use of colour creates an understated tranquillity.

Inspired by embroidered bed hangings originally created by May Morris for her father’s bed c.1893 this newly drawn wallpaper version showcases May’s spectacular design of birds and flowerheads trailing a central fruit tree. Produced as a 3m panel (or 4m on special order) Melsetter from Morris & Co. is a hand painted fresco style design with a garden room feel. Available in two colourways: Indigo/Rose and Ivory/Sage

A small scale all-over repeating design Mallow’s hibiscus (mallow) flowers which can be seen on the walls at Standen House in Sussex are the ideal choice for all four walls. Use this elegant wallpaper as a coordinating pattern to other Morris & Co. designs. Available in five colourways: Chalk/Duck Egg Apple Green Soft Gold Cream/Ivory and Dusky Rose

Inspired by the lemons in ‘Fruit’ one of William Morris’s most loved wallpapers Lemon Tree’s chalky white print mark adds detail to trailing branches and delicate blossom creating this fresh and calming design. Available in three colourways: Bayleaf Sage and Wedgewood

An intricate background pattern of hawthorn leaves with blossom covers this wallpaper with a meandering trail of jasmine printed over the top. Designed in 1872 by William Morris, this wallpaper is available in gentle, feminine colourways and inspired the embroidery fabric of the same name.

One of the prettiest Morris wallpaper designs with delicate flowers floating amongst spiralling leaves set upon a background of dainty dots. William Morris revised the original design in 1875 which required 12 wood blocks, producing a of great depth and rich in colour. The wallpaper is available in pale, usable colourways inspired by the Morris palette.

Sumptuous in design and colour, this wallpaper is a faithful reproduction of an early paper from 1868-70 thought to have been designed by George Gilbery Scott.  The log books reveals it is the most recoloured design over the decades. Similar in appearance to the block printed original, this surflex printed version comes in two colours to match the fabric from the Morris V Collection.

Inspired by the earlier design, Bachelors Button of 1892, this evocative wallpaper encapsulates the romance of the medieval past that so inspired Morris and was designed by John Henry Dearle in 1912. Gracefully arching leaves punctuated by mid-scale blooms, this wallpaper is produced in both dark and light colourways.

Designed by May Morris in 1883, Honeysuckle is a realistic arrangement of rambling flowers and twisting leaves. Although best known for her work with embroidery, Morris’s youngest daughter, May, also designed several wallpapers.

Honeysuckle designed by May Morris in 1883 is a realistic arrangement of rambling flowers and entwining leaves. Although best known for her work with embroidery Morris youngest daughter May also designed several wallpapers.

Entwined lily stems and tendrils are arrange along a strong diagonal, designed by J.H. Dearles in 1899. One of the greatest legacies of Morris & Co. this wallpaper is printed in airy colourways, along with two deeper colourways - both styles creating drama in their own way.

Sumptuous in design and colour, this wallpaper is a faithful reproduction of an early paper from 1868-70 thought to have been designed by George Gilbery Scott.  The log books reveals it is the most recoloured design over the decades. Similar in appearance to the block printed original, this sumptuous version is beaded to create a contemporary look.